Updated October 21, 2026: It's almost here! Next Thursday 10/29 at the Schubert Club's Courtroom Concert, 12 noon. Low-voice sextet RenegadeEnsemble presents Before Dawn, a celebration of new works by seven Minnesotan composers written for low voices. Woven throughout the…
My summer composing project was a setting of Robert Browning’s “My Last Duchess.” I’ve been intrigued with the poem ever since I heard James Mason read it on a Caedmon Records LP back in the 60s. Browning’s dramatic monologue is…
I’ve been working with BorderCrosSing’s auditioned vocal ensemble Puentes and their director Ahmed Anzaldúa on a multi-year recording project that includes several of my longer choral works – the ones that are too extensive to be included comfortably in the…
Last November I spent several days in Montgé-en-Goële, just outside of Paris, working with saxophone guru Daniel Kientzy. Our goal was to digitally assemble the pre-recorded accompaniment parts for the piece I had written for him, Concertino: Beautiful Beast, scored for contra-bass saxophone, 2 banjos,…
Newly premiered, a piece for the Washington National Opera Chorus a setting of a sonnet by Edna St. Vincent Millay's "On Hearing a Symphony by Beethoven." As with most choral commissions, finding a text was the first creative task. From…
These pieces have already been written but have not had a formal premiere. If your ensemble is interested in giving the world premiere without having to pay a commission fee, reach out for more information.