Photo by Ann Marsden
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Carol Barnett’s music has been called audacious and engaging. Her varied catalog includes works for solo voice, piano, chorus, diverse chamber ensembles, orchestra, and wind ensemble.
She was awarded the 2003 Nancy Van de Vate International Prize for Opera for her chamber opera, Snow, and Meeting at Seneca Falls was featured at the 2006 Diversity Festival in Red Wing, MN. The World Beloved: A Bluegrass Mass, commissioned in 2006 by VocalEssence and written with Marisha Chamberlain, had its Carnegie Hall debut in February 2013 and has become a favorite across the country. Recent works include March to Glory: ”Draw Me Nearer,” for the American Guild of Organists 2014 convention; Near Odessa, for Bella Voce and Jennifer Tibben; Coy Pond Suite, for the Gordon College Big Band; and Hyfrydol Meditations, for Westminster Presbyterian Church, Minneapolis, MN. Other commissions include works for the Minnesota Orchestra, the Saint Paul Chamber Orchestra, the Harvard Glee Club, the Minnesota Music Teachers Association, and the Children’s Theatre of Minneapolis. She has received grants from the Jerome Foundation, the Camargo Foundation, the Inter-University Research Committee on Cyprus, and the McKnight Foundation.
A longtime presence on the Minnesota music scene, Barnett is a charter member of the American Composers Forum and a graduate of the University of Minnesota, where she studied composition with Dominick Argento and Paul Fetler, piano with Bernard Weiser, and flute with Emil J. Niosi. She was composer-in-residence with the Dale Warland Singers from 1992 to 2001, and currently teaches at Augsburg College in Minneapolis.